I'm a marker artist and painter, and most of what I make starts in meditation. Something comes up, a feeling, an image, a question I can't shake, and I follow it onto the page until I can actually see it.
The art is my way of making invisible things visible. But it's also an invitation. If a piece makes you wonder about parallel timelines, or energy centers, or the version of you that already has what you want, that's not a side effect. That's the whole point.

I started this platform to meet my inner artist again. I had no plan, just a quiet promise to keep showing up and making the thing.
The more I meditated, the more I had to say on paper. Marker and paint turned into the way I translate what I feel into something you can see.
The last six months changed everything. I'm making art full time, prints are on the way, and I get to share the whole process as it happens.


For years I worked in marketing. I'm grateful for it, it taught me how to tell a story and how to find the people a story is meant for. But after 8 years, and some family challenges thrown in the mix, I hit intense burnout and had to step away.
Reconnecting with art put me back together. And then my meditation practice deepened, and the artwork started doing something I didn't expect: it gave people a way in.
Not just into the art, but into the ideas underneath it. Parallel timelines, energy centers, the framework I've been building for years about how consciousness and reality actually work.
These are concepts that can feel abstract until you can see them. And working my "aha moments" from meditation into small talk isn't exactly easy.
My art makes them tangible. It gives them somewhere to land. And sparks dialogue on esoteric concepts naturally.
That's what this is for. Not just beautiful things to look at (though I hope they're that too), but a bridge into a way of thinking about your life, your energy, your choices, and chasing your dreams.
A way to spread a little more light.
Every piece is a snapshot of something I felt in meditation. Here are a few of the worlds I keep coming back to.




I work out of a sunny attic full of plants, half-finished pieces, and way too many markers. There's almost always music on and a cat somewhere she shouldn't be.
Light and color are everything to me, so I keep the space bright and a little wild. It's where the timelines come through.


